Editor

Whether it's a landmark art history series, a prime time travelogue, high profile observational documentary, or a returning specialist factual series for a US broadcaster, I endeavour to bring the same qualities and experience to each edit.  Strong storytelling and editorial skills, technical know-how, the confidence to work independently to a brief, or collaboratively with a director or producer, a strong work ethic, proven problem-solving skills, a cool head, an eye for detail and a good ear for music.  All have been central to my success as an editor.